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Review Roundup - Cabin Fever

THE HATEFUL EIGHT (2015)

At this point a lot of things can probably go unsaid here, Quentin is back and he's brought plenty of familiar faces along with him. Along with Tim Roth and Michael Madsen, more than half the cast are returning actors in what is a pretty gnarly ensemble of crooks and nefarious characters. But even this is obvious from the title, this isn't going to be a cosy fireside get together. Ennio Morricone also makes a comeback on the score, despite words to the effect that he'd never do so again after being displeased with how his original work on Django Unchained was implemented. Being mixed into to this already potent blend are of course several other ingredients that have come to be expected, and the amounts of violence, depravity and strong language are all correct and present here. But what's new, what is all this talk about 70mm widescreen, and does all the Tarantino dialogue still have it's sharpness? Fortunately this is a mystery plot so there's plenty to discover.


Horror Bites - Red and Black


There's probably little left to be said about horror pictures from John Carpenter and Brian De Palma, but I took some time to catch up on those hit and miss ventures they both took a hand in - Stephen King adaptations. His ideas are often wacky and the execution can leave a lot to be desired but fortunately there are plenty of strengths to discuss in this case, as we take a look at the crimson stained adventures of evil cars and misunderstood teens in Christine and Carrie. 

Scorecard

MAY


FILM OF THE MONTH: The French Connection ☆☆☆☆ 

Scorecard

APRIL

FILM OF THE MONTH Akira ☆☆☆☆
The Exorcist III ☆☆☆☆
The Exorcist ☆☆☆☆
The Omen ☆☆☆☆
Captain America Civil War ☆☆☆☆
Prodigal Son ☆☆☆☆
Superman ☆☆☆☆
Guardians of the Galaxy ☆☆☆☆
Inside Out ☆☆☆☆
Enter the Dragon ☆☆☆☆

Review Roundup - Red vs Blue

CAPTAIN AMERICA: CIVIL WAR (2016)

The Marvel mega franchise is in a strange place coming off titles like Ant-Man, Age of Ultron and The Winter Soldier. Can you make a sequel to the latter and include elements of all the others without it falling to pieces? After all the tone of each isn't exactly a great fit, it's the challenge they face making this latest instalment. With the release line up they have scheduled the problem is only going to grow from what I can see. But with returning film makers at the helm I expected a certain sense of continuity. There are interesting conflicts to be explored and a wealth of returning characters to choose from, so they also have the issue of bloated running times and convoluted screenplays to consider. Have the Russo Brothers managed to pull all this together successfully or is this a potential sign that things are coming apart at the seams?