CLOUD (2024)
It’s time to head back into the woods for another strange tale of ambition and chaos. However, unlike it’s partner in this set, Charisma, this is less of a philosophical tale and more a straightforward crime drama. Which is to say it’s about as straightforward as you might expect from Kiyoshi Kurosawa by now. There are still many darkly comedic moments and surreal images, but the overall genre is more definitive. Coming more than twenty years later does the story have similar musings on the nature of obsession? Let’s examine how this release, an exclusive to this set, stacks up as an eclectic double feature.
