Time for a bit of super-seventies euro-nonsense in the third part of Arrow’s José Larraz collection, a film which has many lurid titles to advise you of the narrative contents. In this instalment the excuse for all the skin on show isn’t psycho-thriller or vampire related but instead the occult, or at least I think that’s the idea. However for exploitation genre fans looking to pick up the trilogy this is probably the most lethargic and tepid inclusion despite a story of tarot, doomed romances and sinister uninvited guests. There’s a lot of talk about nightmares and the hands fate but there’s also a whole lot of melodrama.
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